‘Fiddler on the Roof’ director Norman Jewison dies at 97

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Norman Jewison, proven right here on the set of 1987’s Moonstruck, was born in Toronto and served within the Canadian navy throughout World Warfare II. AP disguise caption

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AP

- 'Fiddler on the Roof' director Norman Jewison dies at 97

Norman Jewison, proven right here on the set of 1987’s Moonstruck, was born in Toronto and served within the Canadian navy throughout World Warfare II.

AP

From the race drama Within the Warmth of the Evening to the musical Fiddler on the Roof, Canadian-born director Norman Jewison defied categorization. He has died on the age of 97.

Jewison began his profession in tv. He was producing and directing a TV particular when he caught the eye of actor Tony Curtis. “You do good work, child,” Curtis recalled in his 2005 autobiography. “When are you gonna make a film?” Not lengthy after that encounter, Jewison directed Curtis within the 1962 comedy 40 Kilos of Hassle. Different comedies adopted, with Doris Day, James Garner and Rock Hudson. These had been all studio assignments, however Jewison quickly began making his personal movies, together with 1965’s The Cincinnati Child, starring Steve McQueen, and a 1966 spoof of Chilly Warfare politics referred to as The Russians Are Coming! The Russians Are Coming!, starring Alan Arkin.

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Sidney Poitier performed Philadelphia detective Virgil Tibbs in Within the Warmth of the Evening. Keystone/Getty Pictures disguise caption

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Keystone/Getty Pictures

- 'Fiddler on the Roof' director Norman Jewison dies at 97

Sidney Poitier performed Philadelphia detective Virgil Tibbs in Within the Warmth of the Evening.

Keystone/Getty Pictures

Jewison was born in Toronto and served within the Canadian navy throughout World Warfare II. As he instructed NPR in 2011, he was on go away towards the top of the warfare — solely 18 years previous and in uniform — when he received on a bus in Memphis, Tenn.:

“It was a scorching, scorching day, and I noticed a window open on the again so I headed to the again of the bus. And I sat down with my bag and by the open window. The bus driver checked out me, and I may see his face within the mirror. He says, ‘Are you attempting to be humorous, sailor?’ He says, ‘Cannot you learn the signal?’ And there was just a little signal and it mentioned, ‘Coloured individuals to the rear.’ “

Jewison appeared round and noticed that he was the one white passenger within the again. “I used to be only a child, however I used to be form of shocked,” he mentioned. “I believed, effectively, the one factor I may do is get off the bus.” It was his first expertise with racial prejudice and, he says, it laid the groundwork for 1967’s Within the Warmth of the Evening. That movie starred Rod Steiger as small city Mississippi police chief and Sidney Poitier as a customer to the city who’s accused of homicide. It gained 5 Oscars, together with Greatest Image.

Movie historian and critic Leonard Maltin remembers seeing Within the Warmth of the Evening when it first got here out. He says, “This movie caught lightning in a bottle… By casting Poitier and Steiger as adversaries who need to work collectively, have to search out some option to work collectively in a Southern city, it simply set issues up so completely for character growth towards a backdrop that definitely all Individuals may relate to.”

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Jewison directs Denzel Washington in 1999’s The Hurricane, a couple of boxer who’s wrongly convicted of homicide. /Getty Pictures disguise caption

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- 'Fiddler on the Roof' director Norman Jewison dies at 97

Jewison directs Denzel Washington in 1999’s The Hurricane, a couple of boxer who’s wrongly convicted of homicide.

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Jewison adopted Within the Warmth of the Evening with the 1968 hit thriller The Thomas Crown Affair, starring Steve McQueen and Faye Dunaway, however his largest hit got here in 1971 with Fiddler on the Roof. By then, Jewison had a profitable monitor document. Nonetheless, when United Artists approached him to direct Fiddler on the Roof, it took Jewison a minute to determine why.

“I’ve received a wierd identify,” he mentioned in his 2011 NPR interview. “Jewison. If you happen to take a look at it carefully, it form of seems to be like I am the son of a Jew. And I believed, Oh, my God. They suppose I am Jewish. What am I going to do? As a result of how are you going to direct Fiddler on the Roof when you’re not Jewish? So, I suppose I’ve to inform them.”

He received the job anyway, and the movie gained three Oscars. It was as totally different from any of Jewison’s earlier movies because it could possibly be. Leonard Maltin says that is what makes Jewison value remembering.

“You possibly can’t simply pigeonhole Norman Jewison as a result of he did not wish to be pigeonholed,” Maltin says. “There isn’t a one identifiable Norman Jewison form of movie. The identical man who made [the romantic comedy] Moonstruck made Fiddler on the Roof and The Thomas Crown Affair and a few good Doris Day motion pictures again within the ’60s and [the World War II drama] A Soldier’s Story. These are all Norman Jewison movies.”

Tom Cole edited this story for broadcast and Nicole Cohen tailored it for the Internet.

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